The etymologist finds the deadest word to have been once a brilliant
picture.
Language is fossil poetry. As the limestone of the continent
consists of
infinite masses of the shells of animalcules, so language is
made up of images,
or tropes, which now, in their secondary use, have long
ceased to remind us of
their poetic origin.
-Ralph Waldo Emerson

Sunday, February 12, 2012

When the young woman


WHEN THE YOUNG WOMAN
When the young woman looked into the eyes of her
beaming teary father, with a borrowed
pin in her hair and blue roses for luck,
      the organ note hung in the air

as the only sound in the echoing chapel.
For a heartbeat before the pianist’s fingers found the second note,
her deepest desires came forth in her
psyche’s voice, despite her pulse’s spirited nerves:

“The promises you commit this day
will weigh heavy on both of your lives. 
He knew what he wanted when he asked,
but he has never really been sure;

and you’ve composed this moment since he dropped to one knee:
the flower pedals, bows on each pew, “I do;” the look
of your father’s solid compliance; the first kiss as a new
couple; the reception; white writing on black

windows of a waiting car; the honeymoon suite in paradise, terms
of endearment, and the jealous looks of those who envy your love.
Then, by turn: distance, deceit, vengeance, betrayal;
original passion burnt out;


families torn and feuding,
their idealist defense departed; rumors spoken, the resentment
of ephemeral longing; slammed doors,
uncomfortable nights on the family

room couch; scotch, cigarettes; lonely
bars with desolate strangers wanting nothing but human
contact; the push and pull of feelings withdrawn and recreated;
entanglement, the discovery of complaisance,

hours preoccupying loneliness, suspicious always of the time apart;
the recurrent ailment to leave and the recurrent angst that another
should have him, until only a growing life can force you together.”
Revelation stopped, music started.

Mimicking Donald Hall's "When the young husband"-- Lyrical 

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